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The Fun Palace

(-1964- )

references behind the reference of social life

Three Strikes, You're In?
Works Cited (ASA)

Althusser, Louis. 1971. “Ideology and Ideological State Apparatuses.” in L. Althusser (Ed.), Lenin and

     Philosophy and Other Essays. New York: Monthly Review Press.

Bankston III, Carl L. and Min Zhou. 2002. “Social Capital as Process: The Meanings and Problems of a

     Theoretical Metaphor.” Sociological Inquiry, 72(2):285-317. doi: 10.1111/1475-682X.00017.

Bivins, Tom. N.d. “Media in the 1960s & 1970s.” J387: Media History. Retrieved October 5, 2022.

     (http://j387mediahistory.weebly.com/uploads/6/4/2/2/6422481/60s-70s_media.pdf)

Bolton Evening News. 1969. “Pleasure Park of Rare Design.” DR 1995:0188:855-935, 144-2020-228 S.

     Canadian Centre for Architecture.

Calder, Ritchie. 1964. “SUNDAY MIRROR, September 6, 1964.” DR 1995:0188:855-935, 144-2020-228

     S. Canadian Centre for Architecture.

CCA. N.d. “Nothing’s Going to Last 14, 16.” DR 1995:0188:855-935, 144-2020-228 S.

     Canadian Centre for Architecture.

Daily Mail. 1965. “Will this be a lot of Fun?” DR 1995:0188:855-935, 144-2020-228 S.

     Canadian Centre for Architecture.

Fiddick, Peter. 1965. “A Passionate Belief in Her Fun-Palace.” DR 1995:0188:855-935, 144-2020-228 S.

     Canadian Centre for Architecture.

Frayn, Michael. 1964. “51F.” DR 1995:0188:859. Canadian Centre for Architecture.

Giddens, Anthony. 1991. Modernity and Self-identity: Self and Society in the Late Modern Age. California:

     Stanford University Press.

Goffman, Erving. 1959. The Presentation of Self in Everyday Life. New York: Anchor Books.

Goffman, Erving. 1961. “Fun in Games” in Encounters: Two Studies in the Sociology of Interaction. Bobbs-

     Merrill.

Hampstead & Highgate Express. 1965. “Church Slams “Fun Palace Protests.” DR 1995:0188:855-935,

     144-2020-228 S. Canadian Centre for Architecture.

Hardingham, Samantha. 2016. “Fun Palace 1960-66” in Cedric Price Works 1952-2003: A Forward-

     Minded Retrospective. Volume 1. Montreal: Canadian Centre for Architecture.

Hillman, Judy. 1966. “London’s Palace of Fun Has Nowhere to Go.” DR 1995:0188:855-935, 144-2020-

     228 S. Canadian Centre for Architecture.

Holdsworth, Nadine. 2007. “Spaces to Play/Playing with Spaces: Young People, Citizenship and Joan

Littlewood.” Research in Drama Education: The Journal of Applied Theatre and Performance,

     12(3):293-304. doi: 10.1080/13569780701560164

Landau, Royston. 1985. “A Philosophy of Enabling: The Work of Cedric Price.” AA Files, 8:3-7.

Littlewood, Joan and Cedric Price. 1964. “Fun Palace Promotional Brochure, 1964.”

     DR 1995:0188:525:001:023. Canadian Centre for Architecture.

Littlewood, Joan and Cedric Price. 1968. “The Fun Palace.” The Drama Review, 12(3):127-134.

     doi: 10.2307/1144360

Mathews, James S. 2003. “An Architecture for the New Britain: The Social Vision of Cedric Price's Fun

     Palace and Potteries Thinkbelt.” Columbia University, Ann Arbor

     (https://www.proquest.com/dissertations-theses/architecture-new-britain-social-vision-

     cedric/docview/305338965/se-2).

McAndrew, Claire. 2019. “Dreams of the Fun Palace and Plug-In City – Architectural Modularism and

     Cybernetics in the 1960s.” in Z. Hendon & A. Massey (Eds.). Design, History and Time: New

     Temporalities in a Digital Age. London: Bloomsbury Visual Arts. Retrieved October 7, 2022.

     doi: 10.5040/9781350060685.ch-010

McKerron, Jane. 1966. “Who will Support the Fun Palace?” DR 1995:0188:855-935, 144-2020-228 S.

     Canadian Centre for Architecture.

North London Press. 1965. “Church Slams “Fun Palace” Project for Chalk Farm.” DR 1995:0188:855-935,

     144-2020-228 S. Canadian Centre for Architecture.

Popov, Savov Lubomir and Gary David. 2015. “The Architect as a Social Designer: The Fun Palace Case.”  

     Enquiry The ARCC Journal for Architectural Research, 12(1). doi: 10.17831/enq:arcc.v12i1.388

Suits, Bernard. 1978. The Grasshopper: Games, Life, and Utopia. Toronto: University of Toronto Press.

The Observer. 1963. “Slow Struggle for Super Park.” DR 1995:0188:526 3/5. Canadian Centre for

     Architecture.

The Observer. 1965. “Nonsense’ Row at Drama Conference.” DR 1995:0188:859. Canadian Centre for

     Architecture.

The Stratford Express. N.d. “Fun Palace Faces a Quick KO.” DR 1995:0188:859. Canadian Centre for

     Architecture.

Vodanovic, Lucia. 2016. “From Performance to Objects and Back: London’s InterAction.” in Materiality

     and Popular Culture. New York: Routledge. doi: 10.4324/9781315621166

Wigley, Mark. 2017. “An Afternoon with Cedric Price #2: Mark Wigley.” YouTube. Retrieved Oct 8, 2022.

     (https://www.youtube.com/watch?v=4gcEv0z5nbw).

Stairs to Know Where
Works Cited (ASA)

Bonet-Miro, Ana. 2021. “Authorship and the Archive: The Reception of the Fun Palace Project.” RA.

      Revista de Arquitectura, 23:32-49. doi: 10.15581/014.23.32-49.

Caillois, Roger and Meyer Barash. 1961. Man Play and Games. New York: Free Press of Glencoe.

CCA. N.d. Excerpts from DR 1995:0188:855-935, 144-2020-228 S. Canadian Centre for Architecture.

Frayn, Michael. 1964. “51F.” DR 1995:0188:859. Canadian Centre for Architecture.

Goffman, Erving. 1961. “Fun in Games” in Encounters: Two Studies in the Sociology of Interaction. Bobbs-

      Merrill.

Hardingham, Samantha. 2016. “Fun Palace 1960-66” in Cedric Price Works 1952-2003: A Forward-

      Minded Retrospective. Volume 1. Montreal: Canadian Centre for Architecture.

Holdsworth, Nadine. 2007. “Spaces to Play/Playing with Spaces: Young People, Citizenship and Joan

Littlewood.” Research in Drama Education: The Journal of Applied Theatre and Performance,

      12(3):293-304. doi: 10.1080/13569780701560164

Landau, Royston. 1985. “A Philosophy of Enabling: The Work of Cedric Price.” AA Files, 8:3-7.

Lawrence, Jon. n.d. “I’ve Been Working Like a Dog: Revisiting a 1960s Study of the Working Class.”

      University of Cambridge. Retrieved October 24, 2022. (https://www.cam.ac.uk/research/news/ive-

      been-working-like-a-dog-revisiting-a-1960s-study-of-the-working-class).

Lewis, B. N. 1965. “Fun Palace: Counter-Blast to Boredom.” New Society. April 15, 8-10.

Mathews, James S. 2003. “An Architecture for the New Britain: The Social Vision of Cedric Price's Fun

      Palace and Potteries Thinkbelt.” Columbia University, Ann Arbor

      (https://www.proquest.com/dissertations-theses/architecture-new-britain-social-vision-

      cedric/docview/305338965/se-2).

Middleton, Stuart. 2014. “Affluence’ and the Left in Britain, c. 1958-1974.” The English Historical Review,

      129(536):107-138.

Ozkoc, Onur. 2009. “Social Potentials of Pattern: Cedric Price’s Fun Palace.” Unpublished Master’s Thesis.

      Middle East Technical University.

Popov, Savov Lubomir and Gary David. 2015. “The Architect as a Social Designer: The Fun Palace Case.”  

      Enquiry The ARCC Journal for Architectural Research, 12(1). doi: 10.17831/enq:arcc.v12i1.388

Suits, Bernard. 1978. The Grasshopper: Games, Life, and Utopia. Toronto: University of Toronto Press.

Tafuri, Manfredo. 1976. Architecture and Utopia: Design and Capitalist Development. Translated by

      Barbara Luigia La Penta. Cambridge: The MIT Press.

Wigley, Mark. 2017. “An Afternoon with Cedric Price #2: Mark Wigley.” YouTube. Retrieved Oct 8, 2022.

      (https://www.youtube.com/watch?v=4gcEv0z5nbw).

Winner, Langdon. 1980. “Do Artifacts Have Politics?” Daedalus, 109(1):121-136.

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